I make work as a way of understanding my
internal world and testing how identity can be expressed through visual language. My practice has shifted in recent years toward a more introspective and exploratory approach, driven by changes in how I perceive, process, and interpret experience.

Working primarily with painting, I move between control and intuition, allowing colour, atmosphere, and form to carry meaning where language often fails. I’m interested in how an image can hold ambiguity. How something unresolved, layered, or fractured can still feel coherent. My process is slow and responsive: I build surfaces gradually, following emotional cues rather than fixed plans, letting the work reveal its direction over time.

Earlier in my practice, technical realism and detailed observation formed the foundation of my work. More recently, I’ve begun to loosen that precision, creating space for vulnerability, distortion, and internal narrative to emerge. Figures, faces, and environments appear as partial states, never fully fixed, reflecting the ongoing negotiation between how something looks and how it feels to inhabit it.

At the core of my practice is an attempt to understand the mind as a lived landscape: shaped by perception, limitation, adaptation, and resilience. Rather than offering resolution, my work sits with uncertainty, inviting viewers to recognise their own internal complexity within it. The paintings act as quiet investigations—records of seeing, sensing, and allowing identity to remain fluid rather than defined.